Discover the richness and diversity of Oxford's art collections. Explore first hand the many facets of world-class museums and galleries, such as the Ashmolean, History of Science, Natural History, and Pitt Rivers museums.
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An introduction to modern art in Europe in the early twentieth century, exploring the range of styles and debates that emerged in response to modernity, industrialisation, and war.
This guided viewing in the Ashmolean Museum will centre on seven of Leonardo da Vinci’s original drawings, from which we will also consider relationships with his paintings and writings, as well as to copies by contemporary and later artists.
Explore the dazzling richness and exuberance of Baroque art and architecture - from the earliest experiments of Michelangelo, to the voluptuous sensuality of Bernini, and beyond. Artists studied will include Borromini, Titian, Caravaggio, and Rubens.
From feasting gods to sacred liturgy, discover how wine became a powerful symbol in Renaissance and Baroque art, revealing stories of celebration, excess, faith, and everyday life.
This guided viewing in the Ashmolean Museum will discuss key drawings by Leonardo and Michelangelo individually and comparatively. Focusing on style and techniques, we will also consider relationships with their paintings, sculptures and writings.
Do your exhibitions stink? Scent is becoming a popular feature in museums, but what makes olfactory visitor experiences effective? We will explore the theory, practice, benefits and pitfalls, with useful tips to help harness scent as an interpretive tool.
This course explores the riches of northern European art from c.1480 - 1580; artists including Dürer, Bosch, Holbein and Bruegel will be studied.
This course examines the social, economic, religious, and political contexts under which women have always made art, but have largely been marginalised in its formal histories and markets.
Uncover the mysteries of the medieval afterlife through its art and architecture. Examine a range of objects from across Western Europe and the Mediterranean.
The art of prehistoric Europe is rich with imagery such as cave paintings, carvings, body ornamentation and frescoes. This course considers a range of sites and artefacts in our exploration of the unique and creative ways people visualised their world.
This course provides an historical introduction to the development of folklore studies in Britain. It will review historical conceptions and approaches to folklore from the seventeenth-century antiquarians to the present.