This lecture examines Anna of Denmark, and her impact on politics and the arts.
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Examine the decisive vote to remain in the EEC, and the success of the 'yes' campaign.
Explore the history of witchcraft belief and persecution during the early modern period in this special study day.
This lecture examines Henrietta Maria, wife of Charles I, and her political role and patronage of the arts.
The oldest known stone tools date back 3.3 million years and pre-date the first appearance of the genus 'Homo'. Join us to explore tool making among our early hominin ancestors from the earliest probable origins to the comparatively advanced Oldowan.
This day school will uncover the neglected roles of women and children during the British Civil Wars (1638–1660). Speakers will address how such people participated in these revolutionary events, and in what ways they looked back on them afterwards.
From St Frideswide to Vice Chancellor Irene Tracey, women have always been active in Oxford, even if the University long chose to ignore them. On this walking tour, we’ll uncover the stories of some of Oxford’s most fascinating women.
This lecture will introduce the Brontë sisters and Jane Eyre, exploring its style, themes, key passages, and debates around Rochester, narration, the supernatural, and the novel’s controversial dedication to Thackeray.
This lecture series will explore the lives and works of Anne, Charlotte, and Emily Brontë, examining how their remarkable imaginations produced six original, complex, and ground-breaking novels despite their confined lives.
The Modernist ‘Day Novel’ looks at 3 novels set over the course of a day: Untouchable by M. R. Anand (1935), Ulysses by James Joyce (1922), and Mrs Dalloway by Virginia Woolf (1925). 3 talks and a Q&A will consider the enduring appeal of the ‘day novel’.
This lecture will explore Villette, examining Lucy Snowe’s unusual character, Brontë’s use of defamiliarization and withholding, the spectral nun, and the novel’s ambiguous and unexpected ending.
What makes gold sacred? Discover how artists in the Americas used this radiant material to create dazzling works of art, blending Indigenous traditions and Christian imagery in the Renaissance and Baroque.