Surrealism, Dada and Soviet Constructivism

Date:

4 May 2027

Time:

2:00-3:30pm

Location:

Online or Rewley House 1 Wellington Square, Oxford, OX1 2JA

Event status

Event status:

Applications being accepted

Location

Location:

Online or Rewley House 1 Wellington Square, Oxford, OX1 2JA

Dates

Dates:

4 May 2027

Study Format

Study Format:

Online - live

Fees

Fees:

From £15.00 to £18.00

This lecture will concentrate upon the lasting legacies of the 1920s, in cultural terms. 

Arising from the turmoils and horrors of the First World War, Dada represented a traumatised reaction against the very notion of ‘high culture’. Dada artists stridently and anarchically parodied the production, exhibition and admiration of ‘works of art’ of any kind. For Dada, art, culture, even language itself had become irremediably tainted by the industrialised mass slaughter of the trenches, so that from now onward, chaos, anarchy, and radical insurrection were to be the watchwords of post-war art. How did this chaotic ‘anti-art’ movement come to co-exist alongside the sleek utopianism of 1920s Modernism? Which, in the end, devoured which?

Surrealism grew out of the Dada movement. It retained the Dada fascination with the random and the spontaneous in art: yet it sought to anchor that randomness in a new appreciation of psychoanalysis - and in particular the works of Sigmund Freud. So can we see the burgeoning Surrealism of the 1920s as representing a synthesis between Dada and Modernism?

Soviet Constructivism represented an attempt, on the part of the new Leninist Soviet Union, to harness visual and technical ideas and methods derived from western European Modernism - particularly as developed and practiced in the German Bauhaus - to the political and ideological requirements of the Soviet state. How successful was this endeavour? And could it have ever survived the death of Lenin, and the coming to power of Stalin…?

Artists whose works will be featured include Max Ernst, Marcel Duchamp, Salvador Dali, Joan Miro, Renee Magritte, Vladimir Tatlin, Alexander Rodchenco, and El Lissitzky.

How and when to watch

Each lecture will last approximately 1 hour, followed by questions.

Please join in good time before each lecture to ensure that you have no connection problems. We recommend joining 10-15 minutes before the start time.

Register for the whole series or individual lectures

You can register for this lecture by clicking 'Book now' on this page, or you can register for the whole series here.

Please note: enrolments for this lecture close on 29 April at 23:59. The complete series will close at 23:59 GMT on 25 March 2027. 

Book this course

You can opt to attend this teaching event either online (via a livestream) or in person at Rewley House, Oxford. You will be given the option of how you wish to attend during the enrolment process. You can only pick one option. If your preferred attendance format is fully booked, you can email us to be put on the waiting list. For those who wish to attend online, please read the IT requirements below before enrolling.

IT requirements

We will be using Zoom for the livestreaming of this lecture series. If you’re attending online, you’ll be able to see and hear the speakers, and to submit questions via the Zoom interface. Joining instructions will be sent out prior to the start date. We recommend that you join the session at least 10-15 minutes prior to the start time – just as you might arrive a bit early at our lecture theatre for an in-person event. 

Please note that this lecture series will not be recorded. 

Recommended reading

Riley, Charles A., The Jazz Age in France (Harry N. Abrams (New York, 2004))
Silver, Kenneth E., Making Paradise: Art, Modernity, and the Myth of the French Riviera (MIT Press, 2001)
Possible catalogue to come: Exhibition at the Royal Academy, ‘Painting the French Riviera’, October 2026-January 2027
 

Fees

Description Costs
In-person event fee (includes tea/coffee and a pastry) £18.00
Virtual event fee £15.00

Funding

If you are in receipt of a UK state benefit, or are a care-leaver in the UK, you may be eligible for a reduction of 50% of tuition fees. Please see the below link for full details:

Concessionary fees for short courses

 

Dr Jan Cox – Tutor

Dr Jan Cox has been awarded a BA (Hons) by Oxford Brookes University, an MA from Bristol, and a PhD from the University of Leeds (Nordic Art). He specialises in nineteenth-century European art and British art of the early twentieth-century.

Please use the ‘Book’ button on this page. Alternatively, please contact us to obtain an application form.

You can also register for the whole series for a discounted rate here.

You can opt to attend this teaching event either online (via a livestream) or in person at Rewley House, Oxford. You will be given the option of how you wish to attend during the enrolment process. You can only pick one option. If your preferred attendance format is fully booked, you can email us to be put on the waiting list. For those who wish to attend online, please read the IT requirements below before enrolling.

Image credit: Raoul Hausmann: Tatlin at Home (photomontage, 1920)
https://digital.library.unt.edu/ark:/67531/metadc7786/

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