Seminars
Participants are taught in small seminar groups of up to 10 students, and receive two one-on-one tutorials with their tutor.
Sunday
Seminar 1: The Psychology of Place
We explore how people form emotional and cognitive bonds with places. We consider rootedness, belonging, and the role of space in identity and memory.
Seminar 2: Spatial Memory and Image Recall
We examine how the mind stores and recalls visual scenes. We discuss salience, affect, and how memory shapes what we later ‘see’ in images.
Monday
Seminar 3: Minimalism as Visual Language
We define minimalist photography, drawing on key figures and concepts. We ask: what happens when we say more with less?
Seminar 4: Visual Perception and the Art of Noticing
We explore how we attend to and make sense of visual stimuli. We discuss attention, figure-ground, and perceptual ambiguity.
Tuesday
Seminar 5: Abstraction and Emotional Response
We consider how abstraction can create mood, provoke thought, and resist simple meaning. We link form and feeling.
Seminar 6: Simplicity, Silence, and Negative Space
We explore the visual and psychological role of negative space, silence, and restraint. We ask what is left unsaid in a minimalist frame.
Wednesday
Seminar 7: Oxford Seen Differently
We use images to challenge the tourist gaze. We ask: what is not shown in brochures? What is hidden in plain sight?
Seminar 8: Memory, Nostalgia, and Urban Myth
We explore how nostalgia colours place. We consider collective memory, imagined pasts, and the city as a symbolic site.
Thursday
Seminar 9: The Ethics of Representation
We examine what it means to photograph a place that is shared, lived-in, or loaded with history. We ask: what is fair? What is stolen?
Seminar 10: Narrative, Sequence, and Visual Storytelling
We explore how to build a sequence of images that suggests a mood or story. We discuss titles, juxtapositions, and the space between images.
Friday
Seminar 11: Curating Meaning – From Image to Exhibition
We explore how to select and group images to shape a story, theme, or mood. We discuss sequencing, layout, and the role of silence or contrast between works. We also consider space, flow, and how viewers engage with minimalist work in a physical setting. We ask: what is the work saying? What needs to be said, and what should be left unsaid?
Seminar 12: Presenting Work – Titles, Statements, and Display
We develop short texts to support the images, such as titles, captions, or a group statement. We explore tone, voice, and how to speak about abstract work without closing it down. We also discuss practical issues: mounting, layout, and inviting feedback.
Programme timetable
The daily timetable will normally be as follows:
Saturday
14.00–16.30 - Registration
16.30–17.00 - Orientation meeting
17.00–17.30 - Classroom orientation for tutor and students
17.30–18.00 - Drinks reception
18.00–20.00 - Welcome dinner
Sunday – Friday
09.00–10.30 - Seminar
10.30–11.00 - Tea/coffee break
11.00–12.30 - Seminar
12.30–13.30 - Lunch
13.30–18.00 - Afternoons are free for tutorials, individual study, course-related field trips or exploring the many places of interest in and around Oxford.
18.00–19.00 - Dinner (there is a formal gala dinner every Friday to close each week of the programme).
A range of optional social events will be offered throughout the summer school. These are likely to include: a quiz night, visit to historic pubs in Oxford, visit to Christ Church for Evensong and after-dinner talks and discussions.