We will explore the plays 'Life of Galileo' by B Brecht, 'In the Matter of J.Robert Oppenheimer’ by H Kipphardt and 'Copenhagen' by M Frayn, three plays in which scientists struggle to keep their research, wider society and their own humanity in balance.
A study of three plays about the implications of scientific research. We will discuss each of them in detail.
In 1939 Bertolt Brecht wrote 'Life of Galileo', partly to repudiate Nazism by celebrating scientific research as the answer to dogmatism and stupidity. But when scientists learnt how to create the atom bomb, Galileo's historical confrontation with the Church appeared in a different light. Brecht re-wrote Life of Galileo - twice.
In 1967 the German dramatist, Heinar Kipphardt, used transcripts of the interrogation of Oppenheimer in 1954 to make a play, ‘In the Matter of J.Robert Oppenheimer’. In an astonishing reversal of fortune, the brilliant scientist, ‘father of the atomic bomb’, was being investigated as a possible traitor to America.
In 1998 Michael Frayn wrote 'Copenhagen', a play which explores the tangle of men's motives when science, ambition, patriotism and the respect of colleagues put pressures on brilliant scientists on opposing sides in war.
Brecht's exuberance, Kippphardt’s tense debate and Frayn's psychological ingenuity are focused on scientific conundrums of the modern world.
Students are NOT required to have any special scientific knowledge.
This course is part of the Oxford University Summer School for Adults (OUSSA) programme.