Daily schedule
After registration on Sunday afternoon, we invite you to a welcome meeting in the Amersi Lecture Theatre in New Quad, where you will meet your tutors. Join us in Deer Park afterwards for our opening drinks reception, followed by dinner in Brasenose’s historic dining hall (informal dress).
Seminars take place on weekday mornings. Most afternoons are free, allowing you time to explore Oxford, enjoy a variety of optional social events (see details below), or to sit back and relax in one of the college's atmospheric quads.
Your course culminates on Friday evening with a closing drinks reception and gala farewell dinner at which Certificates of Attendance are awarded. For this special occasion smart dress is encouraged (no requirement to wear dinner suits or gowns).
Social programme
We warmly invite all Inspiring Oxford students to take part in our optional social programme, with all events provided at no additional cost. Events are likely to include:
- Croquet on the quad
- Chauffeured punting from Magdalen Bridge
- Expert-led walking tours of Oxford
- Optional visit to an Oxford Library or the Ashmolean Museum
- River Thames afternoon cruise
- Quiz night in the college bar
- Scottish country dance evening (where you do the dancing!)
Seminars
Monday
Our week begins with a general introduction to the political context of early post-1917 culture and writing. This is followed by an overview of Zamiatin’s life and the composition of his novel We, concluding with a close reading of selected extracts from the text.
Tuesday
The focus turns to the novel’s central characters. The session explores D-503 and the significance of his role as a writer, as well as I-330 and the aspirations she represents. Further close reading of We will highlight the satirical message of the novel.
Wednesday
Attention shifts to broader developments in Soviet cultural policy during the late 1920s and 1930s. The session includes an introduction to Bulgakov’s life and the writing of The Master and Margarita, followed by close reading of selected extracts from the novel.
Thursday
Discussion centres on the complex structure of The Master and Margarita and on the character of Woland, with particular emphasis on the novel’s treatment of good and evil. The day concludes with further close reading of key passages.
Friday
Our final session explores the religious themes in The Master and Margarita, continuing with close reading of the text. We conclude with reflections on the novel’s satirical message and on the relationship between the writer and the government in an authoritarian state.