Daily schedule
After registration on Sunday afternoon, we invite you to a welcome meeting in the Amersi Lecture Theatre in New Quad, where you will meet your tutors. Join us in Deer Park afterwards for our opening drinks reception, followed by dinner in Brasenose’s historic dining hall (informal dress).
Seminars take place on weekday mornings. Most afternoons are free, allowing you time to explore Oxford, enjoy a variety of optional social events (see details below), or to sit back and relax in one of the college's atmospheric quads.
Your course culminates on Friday evening with a closing drinks reception and gala farewell dinner at which Certificates of Attendance are awarded. For this special occasion smart dress is encouraged (no requirement to wear dinner suits or gowns).
Social programme
We warmly invite all Inspiring Oxford students to take part in our optional social programme, with all events provided at no additional cost. Events are likely to include:
- Croquet on the quad
- Chauffeured punting from Magdalen Bridge
- Expert-led walking tours of Oxford
- Optional visit to an Oxford Library or the Ashmolean Museum
- River Thames afternoon cruise
- Quiz night in the college bar
- Scottish country dance evening (where you do the dancing!)
Seminars
Monday
Agatha Christie and the Golden Age of crime fiction
We open the week with an exploration of the 'Golden Age' of detective fiction (1918–1945), the era that made Agatha Christie a household name. Meet the sharp-witted Miss Marple and the meticulous Hercule Poirot as we uncover the classic structures and moral puzzles that define the detective story. Alongside these iconic tales, we’ll examine the genre’s critics including Raymond Chandler’s famous challenge to Christie’s polite puzzles in 'The Simple Art of Murder'.
Tuesday
The criminal as anti-hero
Can crime ever be glamorous? During today’s seminars, we turn to Graham Greene’s Brighton Rock and Roland Joffé’s 2010 film adaptation to explore the darker side of crime fiction; the allure of the anti-hero. Set amid 1960s Brighton’s criminal underworld, this session examines the city as character and metaphor, asking how place shapes morality. We’ll also discuss George Orwell’s provocative essay 'The Decline of the English Murder' and Britain’s cultural fascination with crime.
Wednesday
Fictionalizing real life crimes
Today, we examine how writers like Carol Ann Duffy, Shelagh Delaney and Benjamin Zephaniah transform notorious British cases (from the Moors Murders to the killing of Stephen Lawrence) into art. This session asks: What happens when real suffering becomes story? What responsibilities do authors bear when reimagining real tragedy?
Thursday
The psychological thriller
Today, we turn from clues and alibis to explore the murky depths of the human mind. Through Zoe Heller’s Notes on a Scandal and its film adaptation, we consider obsession, envy and moral ambiguity; hallmarks of the modern psychological thriller.
Friday
The detective story up-to-date?
Our week ends, appropriately, in Oxford with Colin Dexter’s Inspector Morse and Russell Lewis’s Endeavour. Both revisit and reinvent the detective formula for new generations, blending nostalgia with social commentary. How have the 'rules' of classic detective fiction evolved – or endured – in the 21st century? What does crime fiction reveal about us today?