Uncover how the myths of the British Isles, shaped by landscape and legend, continue to haunt modern culture through text, film and drama – from Sir Gawain and the Green Knight to The Wicker Man.
There is a rich tradition of legendary history in the British Isles which makes us, as 21st century readers, question how we come to understand the meaning of ‘legend’, ‘history’ and folklore in our own time. To frame the course, we’ll consider how much myth-making in the British Isles stems from the natural world.
Sir Gawain and the Green Knight, arguably the most complex English treatment of an Arthurian romance, draws on the deliberately contrastive environments of the court and the natural world.
The natural world also plays a significant part in the four branches of the Welsh Mabinogi, and we’ll explore one of the legends from the fourth branch, the story of Bloduwedd, for its transformative power and the urgent questions it poses about female agency.
Scottish mythology reflects a tough and uncompromising approach to the creation of the natural world: the goddess representing winter is all-powerful and feared rather than revered.
To complete the frame, we shall consider the ways in which these myths have come to us today not only through literature but also through drama and film such as The Owl Service, Jerusalem and The Wicker Man, and how they have rooted themselves into our cultures.
This course is part of the Oxford University Summer School for Adults (OUSSA) programme.