Daily schedule
After registration on Sunday afternoon, we invite you to a welcome meeting in the Amersi Lecture Theatre in New Quad, where you will meet your tutors. Join us in Deer Park afterwards for our opening drinks reception, followed by dinner in Brasenose’s historic dining hall (informal dress).
Seminars take place on weekday mornings. Most afternoons are free, allowing you time to explore Oxford, enjoy a variety of optional social events (see details below), or to sit back and relax in one of the college's atmospheric quads.
Your course culminates on Friday evening with a closing drinks reception and gala farewell dinner at which Certificates of Attendance are awarded. For this special occasion smart dress is encouraged (no requirement to wear dinner suits or gowns).
Social programme
We warmly invite all Inspiring Oxford students to take part in our optional social programme, with all events provided at no additional cost. Events are likely to include:
- Croquet on the quad
- Chauffeured punting from Magdalen Bridge
- Expert-led walking tours of Oxford
- Optional visit to an Oxford Library or the Ashmolean Museum
- River Thames afternoon cruise
- Quiz night in the college bar
- Scottish country dance evening (where you do the dancing!)
Seminars and field trip
Monday
Introducing the Gothic
We open the week by asking: what makes something Gothic? From medieval cathedrals to Romantic novels, the Gothic has always explored the boundaries between reason and the irrational.
You’ll trace its roots in both literature and architecture, uncovering how the medieval revival shaped nineteenth-century aesthetics. Our key text, Mary Shelley’s Frankenstein (1818), captures the Romantic spirit of awe and terror; blending science, imagination, and monstrosity to question what it means to be human.
Tuesday
Victorian Gothic and the Machine Age
Today, the Gothic collides with modernity. Through Charles Dickens’s The Signalman (1866), we’ll explore how the rise of industry and technology transformed Gothic fears.
From telegraphs to railways, the Victorian Gothic gave voice to the anxieties of progress: mechanical accidents, the dehumanization of labour, and the haunting presence of the machine itself. We’ll consider how the supernatural becomes a language for expressing unease in an age of rapid change.
Wednesday
The Fin de Siècle: Degeneration and Evolution
By the late nineteenth century, Gothic fiction had turned its gaze inward. In Bram Stoker’s Dracula (1897), we encounter a world haunted by Darwinian uncertainty, social decay, and fears of the 'Other'.
We’ll discuss how scientific progress and imperial ambition fed new Gothic obsessions with transformation, contagion, and moral decline. The session explores Dracula as both a product and critique of its time, a work that captures the tensions of a civilisation on the brink of modernity.
Thursday
Field Trip: Strawberry Hill House
On Thursday, we step inside the Gothic itself with a day visit to Strawberry Hill House, Horace Walpole’s glittering Gothic Revival villa in Twickenham.
This visit brings the aesthetic to life: vaulted ceilings, pointed arches, and painted shadows create a living example of Gothic imagination made stone. You’ll explore how architecture, design, and storytelling merge to shape emotion, atmosphere, and identity within the Gothic tradition.
Friday
Postmodern Gothic and Folk Horror
The week concludes in the contemporary moment, where Gothic motifs resurface in haunting new forms. Our final text, Andrew Michael Hurley’s Starve Acre (2019), blends psychological realism with folk horror, exploring themes of grief, landscape, and the uncanny persistence of the past.